2lp in gatefold sleeve with cd included, camilles fourth studio album including allez allez allez, létourderie and tout dit.

since the millennium 2raumwohnung unites electronic sounds and pop melodies in a variety of ways. the early singles wir trafen uns in einem garten (2000) or 2 von millionen sternen (2001) playfully communicated the life-style of a new berlin. the duo, consisting of inga humpe and tommi eckart, started as a studio project and continued to develop via eight album productions. at the same time, an important impulse included developments in techno or house music. their most successful album 36 grad stayed in the german album-charts for 33 weeks, 2raumwohnung continued to expand their stage range as well.

“frozen refrains” ist das fünfte studio-album von dem elektroakustischen komponisten bérangère maximin. es erscheint auf dem label atlas realisations des new yorker produzenten craig leon (ramones, blondie). zuvor hat bérangère maximin bereits alben auf den labels tzadik, sub rosa und crammed discs veröffentlicht. seine kompositionen sind stark von der musique concrète beeinflusst. er nutzt naturaufnahmen und geräusche und verarbeitet diese stark verfremdet in seinem werk. das album ist von abstrakten sound-scapes geprägt, in den melodie- wie soundfragmente kurz aufblitzen. für fans von: pierre henry, brian eno, luc ferrari, laurie anderson und pole.

still reeking from the filth of the tv studio, tabloid mongering and howls of blasphemy from the old guard, dj seinfeld is proving to be a hardened veteran of the circuit. a new anti-hero for a humourless and devoid internet age kicking against the hollywood reptiles. ‘ruff hysteria’ is the sounds from the cutting room floor deemed too unsavoury for public consumption. it’s the grind of acid in the hotel lobby and the incessant pulse of a walkman tucked into a tuxedo pocket oozing it’s way into the central nervous system. it’s four tracks abandoned by the mainstream studios picked up by the grotty b-movie generation. the losers, the freaks, gore heads. bare bones tackle for the floor and analogue anthems for the disenchanted.

vesa-matti builds frequency converters during the day and at night he is living life as a dj, producer and sound enthusiast. both the man and his music originate from the sunny city of vaasa on the west coast of finland. recorded in his previous studio, located in an old brick building on miller street, the late night sessions in a building that mostly hosted rock bands resulted in several hours of recorded drum patterns, loops and synth lines creating a fascinating fusion of nordic-flavoured dub aesthetics and twisted sound manipulations.

their 5th album titled, the fifth state of consciousness, is a double lp produced in peaking lights dreamfuzz studio over the last two years. it s both a departure from the new and a return to the old with a whole new twist on the psychedelic dub-pop they ve become know for. self released...from the heart! gatefold sleeve. big tip!

in 1975, tony allen recorded his debut album, jealousy, the first of three made with afrika 70 and produced by fela kuti. jealousy is according to many still the highlight of his 4 solo-albums, featuring 2 afro-beat gems jealousy and hustler. recorded at decca s 16 track abule-oja studio in lagos, nigeria. originally released on soundworkshop records in 1975

when life gives you lemons, have a lemonade. else the other side might be, your cup of tea. 2 labels, 1 mindset: lemonade and cup of tea are two belgian labels based on an ancient pinky-swear promise between arno lemons and fungku. it finally becomes reality with these 2 other-styled fusion labels working together as brothers! lemonade presents a sampler of studio 58 a project by sue avenue with the crazy funk band big whoop and the latin jazz band compro oro, london wonderboy cody currie and a smooth ending track by the brussels based duo lockwood. cup of tea is a mixtape made by fungku with an infused trip of tracks from a peculiar gang from brussels who live by the rules of ratlife. enjoy the flavour of all artists presented on this combo mini lp straight from the belgian underground! independently, but together.

‘race to zero’ is the new album by musician and composer john matthias and producer, musician and composer jay auborn.
the album’s starting point was a series of acoustic improvisations recorded in a variety oflocations, from a 700 year old chapel in the devon countryside to a basement studio in reykjavík, iceland. in an attempt to create a fractured sense of space reflective of the digital condition, the duo found themselves working within a place that could only exist in the digital landscape.
by crushing the recordings through a hundred different virtual rooms of reverb and other chaotic digital processes, they collided, soared and splintered into sweeping new rhythms, melodies and drones.
the outcome is a unique landscape that blurs the line between the virtual and physical worlds.
the vinyl release includes a download code.

ihre geschichte ist ein wahres hip-hop-märchen: bei einem photoshooting trafen sich hip-hop-king notorious b.i.g., einer der bis heute weltweit einflussreichsten rapper, und rap-queen faith evans zum ersten mal - neun tage später feierten sie bereits ihre hochzeit. damit begann die wohl legendärste aller love-storys der hip-hop-geschichte, die bis zum (bis heute unaufgeklärten) brutalen mord an b.i.g. andauerte.
zwanzig jahre danach schuf faith evans jetzt das album “the king & i”, das die geschichte ihres gemeinsamen lebens erzählt. es enthält neue vocals von faith, die im studio mit der originalstimme von biggie smalls zusammengeführt wurde - teils bekannte, teils selten gehörte oder gar nie veröffentlichte rhymes aus b.i.g.s archiven. dazu kommen etliche gastfeatures von weggefährten des rap-traumpaars und anderen mitgliedern des hip-hop-adels, darunter busta rhymes, jadakiss, lil’ cease, lil’ kim, sheek louch, styles p und snoop dogg.

the acclaimed debut of the dutch band the father and the sun is finally pressed on vinyl. compared by many to future islands or the national, the young band has shacked the indie scene on the center of europe with “remember”, a perfect blend of synthpop and indie rock / post-punk surrounded with classic pop vocals , mindblowing guitar and bass lines and evocative synth touches. no doubt about we are in front of one of the most interesting records of the year. all tracks remastered specially for vinyl by eric van wonterghem at prodam studio (berlin).

with just one 7inch release to their name in the form of the 1981 release, jive baby on a saturday night, the cult of the jellies was possibly accidentally assured with the long lost song being rediscovered by collectors and championed by sonic youth s thurston moore no less. picked up and reissued by the stellar trunk records in 2010, the b-side cut, however, was sadly overlooked. now emotional rescue are proud to license the conversation and remaster it especially for this rerelease. based around a simple drum and bass rhythm, interspersed with crowd noise, playful female vocal yelps and sprinkled with dub effects thrown in to the mix and you wouldn t probably think too much would be going for a track that the band put together in the last two hours of their studio time after jive baby had been completed. however, what you get is a killer gem of pop-punk-dub oddness that gets your head nodding to its infectious, repetitive rhythm laden with effects. with just this one (perfect) track available for license it seemed only right to hand it over to the in-house production team, apophenia, to do their increasingly trademark dubbed out reworking, this time in the form of a true, but respectful version for the flip. with both members of the jellies sadly now living overseas this piece of early 80s british dub as it were, can now be fully treasured for posterity while also, proving a nice little smokers delight.

lp in gatefold sleeve with cd included. camilles first studio album including mon petit vieux, 1, 2, 3 and paris

camilles second studio album including la jeune fille aux cheveux blancs and ta douleur.

2lp in gatefold sleeve with cd included. camilles third studio album including home is where it hurts, waves and cats & dogs

skatebard is back on untz untz records. this time in collaborative mode with stiletti-ana to present: the finsk-norsk body language society. the short version of the story goes: skatebard and stiletti-ana meet at a party they both played at hosted by untz untz in berlin 2011. stiletti was there as part of the duo jesse. a drum machine gets a skate signature on it at the end of the night. jesse remixes skates confirmation bias track for untz untz in 2013. fast forward to 2017 and here we are with the deal that was unknowingly signed in 2011 fulfilled. this record was recorded, mixed & dubbed live straight to a two track stereo tape recorder, during a fine january weekend in 2017 at stiletti’s haista ii studio on the island suomenlinna outside helsinki. we hope you like standard moderne, a moderne standard.

we’re glad to welcome back aun to cyclic law for their latest opus! aun’s music as always suggested forays into other dimensions, be it to imaginary worlds, industrial wastelands, through space and time, or via mind altered states. from the ominous dystopian artwork, of a city being drained of its energy by some mysterious black hole, to the first notes of the title track “fiat lux” we are once again transported on aun’s otherworldly travelling path. ever since the space industrial and power electronics of aun’s previous cyclic law cult release “black pyramid”, the world has become even more sinister, but in contrast, “fiat lux” exudes even more of aun’s melancholic hopefulness. the disintegrating chords and densely textured waves, anchored by a left field industrial pulse, invoke occult drug enhanced, future psychedelia. created in part in their montreal studio, these tracks were extensively performed live, prior to recording, and refined while on tour breaks in montpellier, barcelona and tokyo. the energy of these cities is definitely at work in these recordings, which also features a french connection of experimental heavy hitters: witxes, frédéric d. oberland and philippe petit have helped round out dumais and leblanc’ arsenal. fiat lux: let there be light, from light will come darkness.

buttering trio, founded in 2010, consists of kerendun on vocals and tenor saxophone, rejoicer on loops and synths and beno hendler on bass. all three band members are also producers, mostly active between tel aviv and berlin. combining colourful studio productions with sweet yet poignant lyrics, the trio rearranges the definition of beat making, mixing up all genres. the new album threesome was recorded in three different studios in three different cities london, berlin and tel aviv, during 2015 and 2016. it is the bands 3rd lp released on raw tapes records (not including their 1st ep party bear).

brightons boutique house label black key recordskicks off 2017 with a fantastic ep from label newcomer cinthie. cinthie is a well established force in berlin: as well as being a resident at key spots ipse and humboldthain club-where she spins heady vinyl only sets-she runs three much loved labels and collectives in beste modus, unison wax and beste freunde. as such, she is a true leader of the underground house scene who also runs a studio complex in berlin, and so is very much at the heart of the house conversation. kicking things off is the excellent house rhythms , a rugged, bass driven, deep house cut with flabby drums and snares and icy hi hats all sounding informed by classic deep house greats like ron trent. warm, soul infused pads emanate from the core and the whole unhurried affair really sucks you in with its cosy and romantic atmosphere. the second splendid offering is liberty, a much rawerand direct cut designed for peak time sets. again it is riddled with jazzy chords that have real soul, but the drums are exposed and banging and the whole thing barrels along at a sweat inducing pace. this is a typically classy offering from both artist and label that kicks off 2017 in real style.

!! repress !! , following a recent outing under the mandar alias alongside studio pals samuel andre masden and charlie naffah, nick putman presents his first solo single under the malin genie guise for two years. predictably, he explores a range of deep house styles over the course of a four track ep thats both quietly confident and largely impressive. theres a real bump to sense of swing, despite the presnce of warm, fluid keys, while propter successfully joins the dots between loopy tech-house and shimmering deepness. the techno influence is more obvious on the flip, where redskap and ulux both derive potency from the hypnotic nature of putman s immaculately produced groove.

america, location 12 wurde aus dispatchs (chad urmston, pete heimbold und brad corrigan) wunsch heraus geboren, sich zu einander und zu ihren fans zu committen, sowie eine positive wirkung auf gesellschaften in der ganzen welt zu erzielen. produziert von john dragonetti (the submarines) und aufgenommen im panoramic house, einem in den hügeln von stinson beach in kalifornien abgelegenen studio, markiert america, location 12 eine rückkehr zu alter stärke für die band. gemastert hat die 11 songs dave cooley (animal collective, m83).

diy - also „do-it-yourself“ - hat eine große bedeutung in joey agrestas leben. er stammt aus new jersey und lebt über einem ersatzteile-shop. „let’s not talk about music“ entstand in über drei jahren, in denen joey agresta die lieder in seinem schlafzimmer-studio einspielte. computer wurden für die aufnahmen bewusst vermieden, neben regulären instrumenten nutzt joey agresta selbstgebastelte gerätschaften und bannt die klänge auf mehrspur-kassettengeräte. lo-fi als bewusste ästhetische entscheidung. unter pseudonymen wie joey pizza slice, son of salami oder salami junior hat er diverse kassetten veröffentlicht und so die aufmerksamkeit von bands wie future islands und the parquet courts gewonnen, die erklärte fans sind.

valencias alex font welcomes romanias sepp to acme for the first instalment of mis hermanos rumanos for an intricate split vinyl release limited to 250 copies. acme boss alex font has been producing nuanced house music for over a decade, cultivating a signature style that blends funk, jazz, latin, and techno whilst fine-tuning his skills as a club dj throughout europe for years. meanwhile, uvar and catren founder sepp, who s one of the most influential producers of the new romania minimal-techno scene, has kept equally busy creating and curating quality minimal, including appearances on apotek studio and ada kaleh romania, not to mention an album on uvar. first up, sepps cantecul fusului combines rolling grooves with hypnotic atmospherics before alex font s murph injects a visceral low-end bounce alongside slithering percussion. next, font keeps the reigns with mambo 3, a heady dance-floor number riddled with crunchy drums and a dusty aesthetic before listen to me closes the ep with the eerie phrase just listen to me echoed among crackling ambience for a meditative finishing touch

sadar bahar & ben cosmic force team up and come correct with these two direct disco jams artwork by cosmo knex. tipp! the two tracker arose after sadar bahar discovered bens utrecht based studio (housing 60 synths!). electro fiend ben was charmed by the electronic elements in sadars funk and sadar loved bens ideas. nuff said, a new nl based project was born. nothing sampled for these tracks. only stabbing guitar, bass, sax and pounding drum programming for dance floor heat!

straight from the ghetto!
dance mania re-release from 1997 with a new hot chicago house remix by south side underground in 2017.
mastered at schatz.mastering.studio
supported by dj deeon & dj krime

in 2016. i rented out a small piano studio in east london for nearly the whole year and set out to write an introspective, trendless, and mostly beatless album. inspired by albums from this mortal coil and scott walker, who also sought freedom to work outside of the expectations of their previous work, i limited the instrumentation to mostly an acoustic piano and effects, which left space to expose a lot of emotional vulnerabilities about myself and people close to me. writing lullabies about being a mother in a dystopian world, with pensive words about swimming against the current as a female artist, i felt free enough to tell untold truths that i’ve never felt comfortable talking about within music. free, liberated, empowered. naked.

drummer amir bresler, born in 89, has been established as one of the most sought after israeli drummers, performing in israel and abroad at prominent local and world stage jazz festivals. starting his musical education at the age of 13, amir was first exposed to jazz music at the age of 15 upon his enrollment for the jazz program at the thelma-yellin national high school of the arts from which he graduated with honors. in 2010 amir joined the world renowned bass player, singer and composer avishai cohen, in concerts globally. avishai cohen is considered to be one of the most successful jazz artists in the world today. amir also performed alongside visiting musicians like sam yahel, joel fraham, mark turner, kirk lightsay, dwayne bruno. in addition, amir played with various israeli artists among these are, daniel zamir, omer klein, kutiman, nitai hershkovits, yotam silbrestein, amos hoffman, gilad abro, shai maestro, to name a few. this release is comprised of two tracks, originally composed and recorded for meinl cymbals drummers-videos-series. these tracks were later chosen by amir to be officially released. the first track, afro golden line, is inspired by 70s african high-life music (specially from ghana and nigeria) this is an odd-meter afro-beat track. featuring sefi zislings distinct trumpet melody and uzi ramirez s playful guitar. the second track, fish, is taken from lbts old mixtapes (originally with vocals by kerendun). it was re-recorded at amirs studio while bassist beno hendler & keyboardist nomok composed the third part of the track. both tracks were produced with rejoicer.

hiding slightly out of plain sight, australian producer mood j has been secretly crafting lush house jams for the last half decade bubbling just under the visible surface.
with the artist and asquith having briefly touched base at the beginning of the label’s journey, it took only a chance encounter in a ballarat bungalow in 2016 to reignite the flames of the artist-label relationship. jimmy surprisingly bumping into jon (mood j), as he was daze’s housemate in aus, whilst the lobster crew were on tour there.
mood j’s hard drive was stashed with archive of warm, sizzling, analogue studio tracks cooked to the nines, and so here we are just over 14 months later with the full epic debut in hand.

tony more was the italo disco project of marzio benelli and andrea venturoli from firenze, italy. marzio specialized in sound engineering at various recording studios in milan throughout the early 1980s. he opened emme studio where we worked with major national and international artists. in 1984 he met andrea, a sound programmer who knew his way around analog synthesizers. their first collaboration was that same year on the song “computer sourire” for alexander robotnick debut album. in 1985 the duo recorded ‘tonight’, the debut single for the vocalist tony more that was released the same year on sensation records.

knapp zwei jahre nach “the pink of condition” folgt mit “i romanticize” das neue album von h. hawkline via heavenly recordings. aufgenommen wurden die zehn neuen songs im seahorse sound studio in los angeles - zusammen mit produzent samur khouja, cate le bon, dem komponisten josiah steinbrick sowie stella mozgawa von wairpaint.
die vinyl-lp erscheint inklusive downloadcode.

glyn -bigga- bush began his production career with rockers hi fi in the early 90s, co-writing several studio albums, a host of remixes and the infamous dj kicks - the black album. in 2000 he went solo as both biggabush and lightning head, making albums for sonar kollektiv and stereo deluxe as well as many more remixes. his sound reflects his love of dub reggae, analogue synthesisers and intricate rhythms, with influences of samba, afrobeat, the deep dubscapes of rhythm & sound and most recently the more interesting end of 140bpm bass music. this ep is his first vinyl release since the late 00s and takes in a number of bass-heavy rumblers with classic biggabush twists and turns, starting with the steppas delight of mangrove monkey, relentless subs and skanks of sounds & blues, post-dubstep breaks on dash way com and finishing with a minimal 4/4 fx soundscape on footsie index.

part i - operated under extreme psychosis, performed live in the dead of night at the studio of the hagues pirate radio tonka, these two records contain an apocalyptic selection of the very darkest moments of its maker, an anglo-french bruxellois driftwood expat washed ashore on the west holland wasteland

uk producer allen saei aka aubrey is no stranger to burek family, having already remixed information ghettos -inspiration- track for burek in 2013 and dj stingray s -communication system- track released on barba in 2015. as is to be expected from a guy whos been spending time in the studio for better part of the last three decades, on 13th barba release aubrey delivers a mature and consistent space-themed club 12- titled -space funk-.

daywalker & cf follow-up 2015 s shimmer and supersonic transport with more cosmic synth noodling and a club ready tune on bank records. entro senestre and willie burns always manage to hold together musical continuity while aimlessly jamming in burns smoky studio. it is their forte. with that being said, their style is not genre specific. one thing is for sure, the music is going to be trippy and synth driven. the title track wave force is a driving dance track built for big rooms, reminiscent of supersonic transport. the b-side features the producers implementing freaky synth lines and spacey sound effects on rhythm wolf. the final track, between worlds is somber. the track welcomes the occasional misplayed note along with sappy synth riffs. another solid release by daywalker & cf. cover photo by florian kupfer.

to celebrate the rebirth 100th release the label owner shield and his right arm robytek get in the studio with salvatore principato (sal p.) and dennis young, known as the vocalist and marimba/percussionist of the seminal early 80s nyc band liquid liquid. the experimental sounding band emerged from new york city s vibrant downtown scene in 1981, developing their own unique sound, a fusion of irresistible basslines, junkyard percussion and urgent, free-flowing lyrics.

biotop proudly welcomes the spanish master of machines, eduardo de la calle, for his debut biotop ep. eduardo is well known for his countless analog releases on labels such as cadenza, mule musiq, be as one, planet rhythm, mental groove, and his own delicious imprint, analog solutions, to mention just a few. biotop boss patrick zigon is a big fan of de la calle s music from the early days, so he s honored to extend the biotop family with this exceptional artist. -hyde numbers- is a typical de la calle ep featuring multilayered masterpieces built on eduardo s unique analog studio rig. the first two tracks, -hyde number 1.34.- and -hyde number 8.47.- are uncompromising driving techno tracks built on hypnotic chords and roaring synths with rousing snares and effects, ready to destroy the dance floors of dark techno clubs worldwide

time waits for no man, but venerable new york emcee and producer roc marci remains a rare exception to the rule. enchanting listeners with his dexterous lyricism, methodically soulful beats, and steely persona on releases like 2010 s critically-acclaimed marcberg, and his revered 2012 effort, reloaded, the pride of hempstead, long island emerges from the shadows after a three-year hiatus with the equally spellbinding rosebudd s revenge. this is the rapper s fourth studio album. aside from appearances on landmark releases, including de la soul s grammy-nominated and the anonymous nobody, and ka s days with dr. yen lo, roc marci s presence has been scarce, making rosebudd s revenge one of the more anticipated hip-hop releases of 2017.

it is making my blood boil. man, my jaw is hanging down listening to this stuff. read the email from butthole surfers man and producer, paul leary, when he heard the demo for what would become the debut philipp gorbachev & the naked man album. philipp gorbachev, the russian musician and dj, has been throwing killer parties and making some of the most innovative and exciting electronic music to come out of moscow in years. in 2014 he released his debut album silver album but when invited to perform a live boiler room he had something else in mind: a band scenario. the resulting concoction was not something locked into a 4/4 beat but rather a much more organic, groove-based sound with funk-strutting bass lines and live drums that rolled and flurried around the beats that jumped around leading the charge of the songs along with gorbachev’s damo suzuki-like vocals. taking that experiment into the studio, i dont give a snare is a wild ride that jumps genres, switches paces and alters tones frequently. the opening goodman exploding in intense rhythms and heavy, spiralling riffs that at times recall sabbath but the ever-shifting drums and gargling electronics give a wonky freshness that feels impossible to place into genre. whilst gorbachev cites a range of influences from beck to blind willie johnson as being core to him, the primary motivation is the live nature of the project itself. the main influence is the constant live experience we have as music players and performers. i want to get the most out of every party, every jam, and every dancefloor.

note: limited to 200 copies
goran uroic is behind this stunning solo project from croatia. manmachine is a modern version of the best leonard cohen, trapping the audience with simple musical compositions that repeats instruments most of the time, reaching the perfection trough a sort of naïf minimal synth and all that combined with pure poetry, cause the most relevant about this project is the lyrics and the hidden messages and trues on each of the 7 tracks included on this minialbum. manmachine 12” arrives on ultra limited and ultra deluxe edition, the lyrics will be reproduced on handwritting by goran himself on the printed innersleeve. this will be for sure considered one of the best oraculos to date. we are in front of an inmediate classic. all tracks remastered specially for vinyl by eric van wonterghem at prodam studio (berlin).

vandalaze is the solo project of the californian cory you, obsessed with video games, alternative retro sci-fi and 80’s californian aesthetics, his music is of a one-off and impossible to tag style, samplers and old rompler drum machines combined with funk, ebm, electro or 80’s house creating a mesmerizing avantgarde result. it arrives on ultra limited and ultra deluxe edition, including printed innersleeve with pictures of cory himslef on his daily life. certainly this is not a record for everyone, is a step forward for visionaire minds. a rule breaker sure classic for 2030. all tracks remastered specially for vinyl by eric van wonterghem at prodam studio (berlin).

metaclaw is blazed studio session that time could have forgotten...but offen music didnt. a glorious downbeat synth plodder/head nodder from the minds of three very muscial friends.. features remixes from gordon pohl and glibr.. tip!

a very expected release is finally unveiled, cold colors new ep “leave this world behind”. this one-man project is without any kind of doubt one of the leading synthwave acts of france, frédérick barbe proved himself as a truly master into create hypnotic soundscapes on his fully analog recordings. “leave this world behind” represents his fourth ep and again shows us what “minimal melodic synth“ music should be, perfect bass sequences, clear drum stems and that catchy cold colors pads. all tracks mastered and remastered specially for vinyl by eric van wonterghem at prodam studio (berlin).

a very expected release is finally unveiled, cold colors new ep “leave this world behind”. this one-man project is without any kind of doubt one of the leading synthwave acts of france, frédérick barbe proved himself as a truly master into create hypnotic soundscapes on his fully analog recordings. “leave this world behind” represents his fourth ep and again shows us what “minimal melodic synth“ music should be, perfect bass sequences, clear drum stems and that catchy cold colors pads. all tracks mastered and remastered specially for vinyl by eric van wonterghem at prodam studio (berlin).

wenn sich musiker wie sufjan stevens, bryce dessner, nico muhly und james mcalister für ein album zusammentun, ist die welt natürlich nicht groß genug. auf ihrer einspielung -planetarium- vertonen und besingen sie deshalb unser komplettes sonnensystem. die idee zu diesem konzeptalbum schwirrte schon etwas länger in sufjan stevens kopf herum. konkret wurde sie allerdings erst, als die konzerthalle muziekgebouw in eindhoven nico muhly den auftrag zu einer komposition erteilte. sofort dachte er an eine kollaboration mit seinen freunden dessner, stevens und mcalister. doch nachdem man das stück gemeinsam fertiggestellt und aufgeführt hatte, legte man das junge projekt erst einmal auf eis. im anschluss veröffentlichte bryce dessner mit seiner band the national -trouble will find me-, sufjan brachte sein album -carrie & lowell- heraus und nahm anschließend mcallister mit auf tour, und muhly komponierte ein violinen- konzert für die metropolitan opera. schließlich kehrten stevens und mcalister 2016 mit einigen songskizzen zurück ins studio, wo dann richtige stücke entstanden, die mit den mitteln von prog rock, elektronik und indie durch das universum schweben.
das doppel-vinyl erscheint im klappcover, inklusive downloadcode und 6 doppelseitigen kunstdrucken.

das album aus dem jahre 1978 ist als lp-vinyl in limitierter auflage für kurze zeit wieder erhältlich! -return of the super ape- ist der abschluss der trilogie von den drei lps -scratch the super ape- (aka -super ape-) und -roast fish & cornbread- im zeitraum 1976 bis 1978 und wurde wie seine vorgänger in lee perrys studio the black ark produziert, arrangiert und abgemischt. die zehn stücke wurden mit dem musikern der upsetters eingespielt, die seinerzeit auch als interpret genannt wurden - auf den beiden songs -dyon-anasaw- und -tell me something good- kommt das gesangstrio full experience mit candy mckenzie zum einsatz. das frontcover wurde von lloyd robinson gestaltet und zeigt den riesenaffen als krass gebeutelte figur, die unter anderem das nachhaltig zerrüttete verhältnis von lee perry mit chris blackwell (island records) zum ausdruck bringen könnte.

nice price deal !!! amazin doors remake !! rockin breaks reworks!! limited 10inch !!

the internationally celebrated artist, award winning singer and composer camille releases oui her fifth studio album and first for because music on june 2nd. recorded over a year in la chartreuse, a 14th century monastery-turned-artists residence in avignon, france oui is a cornucopia thrumming with folk, hymns, ballads, pop, lullabies and breathtaking a cappella

panorama bar resident nick ho&#776,,,,ppner gets to work on his second solo album on ostgut ton, connecting the territories of house music with the ease of alt-pop. work as in labor. an axiom that fuels the capitalist system just as the techno/house scene economy says that one needs to keep oneself busy to make a living. as a musician, things are complicated of course. it’s a long way from the romantic idea of creating music simply for the sake of art to becoming a full time musician. those who have accomplished this feat often find themselves in a professional loop of writing the music, producing it, promoting it (with an info text like this), releasing it and then hopefully selling it. after leaving his full time job as ostgut ton’s label manager in 2012, nick ho&#776,,,,,,,,,,,,,,ppner went fully freelance, focusing on his musically diverse, deep and dynamic djing in and outside berghain’s panorama bar, but more importantly spending more time in the studio. the result was his critically acclaimed debut album folk (ostgut ton, 2015), various 12“ releases and remixes, and now his sophomore lp, work, which, more than ever, lays out his refined production skills and his talent to work the machines until they reveal their inner ghosts: nine new songs that now dodge the dance floor, then fully embrace it.

limited edition vinyl only release with poster cover.
recorded live in the studio with members of lcd soundsystem, hot chip, sinkane, the rapture, the beasty boys plus jamie lidell and charles lloyd.